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Late to the Party: MISERY (1990)

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Stephen King is one of my favorite authors. I write for a horror publication – is that so hard to believe? His movies seem to be hit or miss, and that’s not the man’s fault. It’s always interesting to see how one person’s story is seen through another’s retelling. I loved his novella, Vapè a. The film adaption, though? Could not stand it. On the other hand, I thought that the film version of Kanpe la avè m ' (which was based on another novella, titled The Body) was ten times more enjoyable.

Never reading King’s original book, however, I thought that Misye would be a fun experiment for me. In almost every occasion, I’ve experienced King’s stories through text first and moving picture later. I wondered how it would be to watch something of his first, and lè sa a, read it.

Well, I haven’t gotten around to reading Misye yet, but I think that’s understandable given that I just finished the movie last night. So, I can’t speak on how it compares to the book, but maybe I don’t need to. Film and literature are two completely different animals, and I treat them as such. In any case, I enjoyed Misye anpil.

The plot of the film is pretty damn straightforward. An author, Paul Sheldon (James Caan) gets in a car wreck during a snowstorm and is rescued by his “biggest fan,” Annie Wilkes (Kathy Bates). She nurses him back to health, but there’s something a little off about her. In other words, she’s completely nuts. Wilkes forces Sheldon to write another sequel to his “Misery” novels when she reads the ending of the most recent one and decides that she doesn’t like it. The rest of the film follows an act of give and pull between the two as Sheldon attempts to survive Wilkes’ psychosis.

Caan and Bates both excel in their roles, and while at first I was expecting Bates to steal the show, I ended up completely enamored with James Caan’s portrayal of the writer. The man brings a lot of personality and humanity to the role; with Bates, well, she did the whole “crazy bitch” thing perfectly as well. I loved how obsessive and ridiculous the character was.

But besides the two of them, my favorite part of the film would probably be the scenery. The snow gave a very pleasing backdrop to a sadistic situation, which made Sheldon’s situation all the more sinister. Wilkes is a monster, through and through. The beauty of her character (and the horror, for that matter) is how deceptive her sinister-ness is (I don’t think that’s a word – just go with it). She doesn’t look like anyone overtly threatening, and she certainly doesn’t sound it. Wilkes is very much the definition of a wolf in sheep’s clothing.

There were no big surprises for me to be found in Mizè. If I could complain about one thing, it would be how straightforward the plot was. But then again, maybe that’s the beauty of the film. It’s such a simple premise. There could have realistically been one or two endings to the situation – Sheldon lives or Sheldon dies. While there was a degree of tension throughout, it never got to heart racing levels. Still, the strength of the characters in the film make for a highly enjoyable watch.

Misye is a horror film for those who don’t particularly enjoy horror films. It’s got great character acting and a steady, believable plot. The absence of anything too gory or violent besides one or two scenes will make it fine enough for anyone looking for a chill that won’t run unsettlingly deep.

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"Oke, mwen ka di Chris Landon gen tout bagay la kalkile. Nou jis bezwen tann Blumhouse ak Universal jwenn kana yo nan yon ranje. Men, dwèt mwen yo tèlman kwaze. Mwen panse ke Tree [Gelbman] merite twazyèm ak dènye chapit li pou pote karaktè enkwayab sa a ak franchiz nan yon fen oswa yon nouvo kòmansman.

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Avèk siksè tankou yon nich fim laterè endepandan ka nan biwo bwat la, Sou entènèt jwèt Late Night With the Devil is fè menm pi byen sou difizyon. 

Gout mwatye wout pou Halloween lan Sou entènèt jwèt Late Night With the Devil nan mwa mas pa t 'soti pou menm yon mwa anvan li te dirije nan difizyon sou 19 avril kote li rete cho tankou Hades tèt li. Li gen pi bon ouvèti tout tan pou yon fim sou Tranble.

Nan kouri teyat li yo, yo rapòte ke fim nan te pran nan $ 666K nan fen fen semèn ouvèti li yo. Sa fè li pi gwo ouvèti pou yon teyat Fim IFC. 

Sou entènèt jwèt Late Night With the Devil

"Vin nan yon rekò-kraze kouri teyat, nou kontan bay Fen lannwit premye difizyon li sou Tranble, pandan n ap kontinye pote abonnés pasyone nou yo pi bon nan laterè, ak pwojè ki reprezante pwofondè ak lajè genre sa a,” Courtney Thomasma, EVP nan pwogram difizyon nan AMC Networks. te di CBR. "K ap travay ansanm ak konpayi sè nou an Fim IFC pote fim kokenn sa a bay yon odyans ki pi laj menm se yon lòt egzanp gwo sinèrji de mak sa yo ak fason jan laterè a kontinye rete ak fanatik yo.”

Sam Zimmerman, Shudder a VP nan pwogramasyon renmen sa Sou entènèt jwèt Late Night With the Devil fanatik yo ap bay fim nan yon dezyèm lavi sou difizyon. 

"Siksè Late Night atravè difizyon ak teyat se yon viktwa pou kalite envantif, orijinal genre ke Shudder ak IFC Films vize, "li te di. "Yon gwo konpliman pou Cairnes ak ekip kokenn sinema a."

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