Nouvèl

iHorror dokiman Pwen Enpòtan: 'Volim nan san: Istwa Laterè' - Segman 'Pati a Deathday' - Entèvyou.

pibliye

Depi 7 ane

11 Janvye 2017

Volim nan san: istwa laterè - Segman "Pati Jou Lanmò a."

Direktè – Justin M. Seaman

iHorror: Did you have a master plan of how you wanted everything to play out with this segment or did you just “go for it?”

Justin M. Seaman: It was a very much just “go for it” shoot. I had very little initial control over the segment as I didn’t write it, cast it or choose my locations which was something I had never dealt with before in my filmmaking endeavors. It was a challenging yet welcoming terrifying task. So my master plan was to go into this and try to do the best I could with what I was given and make it feel like my own. Luckily, the casting department did wonderful with their selections, so that made things much easier for me.

iH: Where did filming for your segment The Deathday Party rive?

JMS: In Owensboro, KY. We shot this segment back in May 2016 in the same house as a few of the other segments (Fear for Sinners Here, Bloodbath, Killer House).

iH: How many days did you shoot for? And did you face any challenges while filming?

JMS: It was about 36 hours over 2 days. There are always challenges with indie filmmaking, but one of the biggest challenges for me was that I was the only director that didn’t live within a close driving distance. I live near Pittsburgh, PA which was almost an 8-hour trip. That meant if I didn’t complete my segment by the end of the weekend more than likely someone else would have to step in to finish it. Another challenge was being constrained to just the kitchen and basement because they were both very small areas that made it hard for a lot of people to hide off camera. Another issue was the house set directly beside a really busy road that created plenty of noise pollution throughout the shoot and a neighbor just had to weed whack the yard that day and when I say weed whack the yard I mean just that- he had no lawn mower, so he literally walked across the entire yard with a weed whacker to cut his grass…thanks, guy! On the plus side, the crew members were wonderful, and they made it an enjoyable experience.

iH: Jounal Pati Deathday contains a lot of dark humor, I was disgusted yet tickled at the same time, did the cast hit their lines and scenes right on the nail or was their challenges because of the material?

JMS: I am a mega fan of ‘Tales from the Crypt’ which sometimes featured this sort of content. So when I read this particular script, it reminded me of that, and I could relate to it. That’s kind of how the actors and I decided to go with the corny/odd married couple approach because it is a very bizarre tale. I had plenty of discussions before shooting some of the scenes with the cast were I told Jay Woolston and Cindy Maples (John and Almeda) to let loose and give me some variations to pick from for the edit. So YES, they did hit the nail on the head several times and several different ways, and I enjoyed editing the segment even more because of that. The entire cast was awesome, and they gave it their all. I hope to work with some of them again on other projects.

iH: Do you prefer directing an anthology or a full-length film?

JMS: I would say I prefer doing full length features more, just because there’s a longer format to just one story as opposed to several shorter ones. I also enjoy dramas with character development with story arcs and sometimes that’s not possible to do in 10-15 mins stories. But I enjoy both for various reasons.

iH: How did you initially become involved with this project?

JMS: From my gathering, P.J. Starks was trying to assemble a team of up and coming filmmakers for this project who had films that were current. He happened to see a post on Fangoria about my film Grange a, and we got to talking about my potential involvement in the sequel. I was interested because I like to work on projects with people who have comradery towards other filmmakers and PJ seemed like that sort of guy too. Someone who knew the struggles of indie filmmaking and wouldn’t be quick to judge or criticize others work, so that drew me into VOB2. I was able to read over and select from three completed scripts Bath san, Manje Tan ak Pati a Deathday. I chose ‘Deathday’ because it seemed the most challenging to take on in a two day period plus it had the most action, disturbing gore and also would require a cast of seasoned actors.

iH: What are your top five favorite horror films?

JWS: (1) Squad nan mons(2) Lannwit move lespri yo(3) The Return of the Living Dead, (4) Nwit pè, (5) Yon kochma sou Elm Street.

iH: What future projects are in the pipeline for you?

JWS: I am a producer/director alongside Barn la Director of Photography Zane Hershberger on a new creature feature horror anthology called Kriptid. I will also be directing a segment for Rocky Gray’s 10/31/16. Both should be out by the end of 2017.

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Li toujou bèl wè yon reunion nan mond lan nan laterè. Apre yon lagè òf konpetitif, A24 te garanti dwa yo nan nouvo fim nan thriller aksyon Ofansiv. Adan Wingard (Godzilla vs Kong) pral dirije fim nan. Li pral ansanm ak patnè kreyatif li depi lontan Simon Barret (Ou se Next) kòm ekriven an.

Pou moun ki inyorans, Wingard ak Barrett te fè yon non pou tèt yo pandan y ap travay ansanm sou fim tankou Ou se Next ak Guest nan. De kreyativ yo se kat ki pote wayote laterè. Koup la te travay sou fim tankou V / H / S, Blair Witch, ABC a nan lanmò, epi Yon fason terib pou mouri.

Yon eksklizif atik nan soti Dat limit ban nou enfòmasyon limite nou genyen sou sijè a. Malgre nou pa gen anpil bagay pou nou kontinye, Dat limit ofri enfòmasyon sa yo.

"Detay konplo yo ap kenbe kache men fim nan se nan venn Wingard ak klasik kil Barrett yo tankou Guest nan ak Ou se pwochen. Lyrical Media ak A24 pral ko-finans. A24 pral okipe divilgasyon atravè lemond. Fotografi prensipal yo pral kòmanse nan Otòn 2024.”

A24 pral pwodwi fim nan ansanm Arawon Ryder ak Andre Swett pou Foto Ryder Konpayi, Alexander Black pou Medya lirik, Wingard ak Jeremy Platt pou Sivilizasyon Breakaway, epi Simon Barret.

Se tout enfòmasyon nou genyen nan moman sa a. Asire w ou tcheke tounen isit la pou plis nouvèl ak mizajou.

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Direktè Louis Leterrier kreye yon nouvo fim laterè Sci-Fi "11817"

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"Fim nan gade kòm fòs ineksplikab pyèj yon fanmi nan kat nan kay yo endefiniman. Kòm tou de liks modèn ak esansyèl lavi oswa lanmò kòmanse fini, fanmi an dwe aprann kijan pou yo siviv ak entelijan ki moun ki - oswa ki sa - ap kenbe yo kwense ... "

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Leterrier te fè yon non pou tèt li nan tan lontan an pou travay sou franchiz renmen anpil. Portfolio li gen ladann gems tankou Koulye a, ou wè m ', Pontoon la Enkwayab, Sou entènèt jwèt Clash of Titans yo, epi Transbordeur a. Li se kounye a tache pou kreye final la Vit ak kòlè a fim. Sepandan, li pral enteresan pou wè sa Leterrier ka fè travay ak kèk materyèl ki pi fonse.

Se tout enfòmasyon nou genyen pou ou nan moman sa a. Kòm toujou, asire w ou tcheke tounen isit la pou plis nouvèl ak mizajou.

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May 1:

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Ayewopò '75

^{Ayewopò '75}

Lè yon Boeing 747 pèdi pilòt li yo nan yon kolizyon anlè, yon manm ekipaj kabin an dwe pran kontwòl ak èd radyo nan men yon enstriktè vòl.

Ayewopò '77

Yon 747 liksye ki chaje ak VIP ak atizay ki pa gen anpil valè desann nan Triyang Bermuda apre vòlè yo te vòlè li - epi tan pou yon sekou ap fini.

Jumanji

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